Showing vs. Telling (or, When to Creatively Beat around the Bush)

A picture may be worth a thousand words, but how many words does it actually take to paint said picture? Showing rather than telling can make a few go quite a long way.

Man or Monster: Unmasking Villains

The fairy-tale villain is dead. Long live the character with many different faces lurking behind their most sinister mask.

Writing Action Sequences

Actions speak louder than words―until they don’t. Contrary to their more obvious nature, writing action sequences is a delicate art.

Setting the Scene

World-building is an ongoing, tedious, compulsory process that enables a writer’s control freak habits while we set scenes that readers can really dive into.

How to Appreciate the First (Sucky) Draft

Lesson the first for every writer everywhere: the first draft almost always sucks. But that’s okay. In fact, sometimes that works to your advantage.

Join the Conversation: Reexamining Dialogue

When it comes to dialogue, writers really do need to say what they mean and mean what they say.

Writing Mythical Creatures

Fiction writing lends itself to an endless array of characters, from humans to mythical creatures: borrowed, created, or something in between.

Dressember: Giving Back Creatively

Dressember is bigger than any dress or the annual wardrobe challenge. It’s an expression of global community and solidarity that lasts all year.

30 Tips for Writers, Editors, and Everything in Between

If they’re doing it right, writers never stop picking up tips, learning hard-earned lessons, and toasting the triumphs that sustain them during even the worst writer’s block funks.

The Art of Giving Constructive Feedback (without Becoming a Doormat or a Dictator)

Writers everywhere agonize over the reality of releasing their work to some grammar fanatic and inviting them to fire at will. But step into an editor’s shoes and you’ll see that our jobs aren’t as cut-and-dried as you might think.